Now showing items 36-38 of 38

  • Walking in unquiet landscapes: layers of human settlements in the hills of Aberdeenshire. 

    Douglas, Anne; Fremantle, Chris (Tate Publishing, 2016-01-04)
    DOUGLAS, A. and FREMANTLE, C. 2016. Walking in unquiet landscapes: layers of human settlements in the hills of Aberdeenshire. Tate etc., Issue 36, pages 94-95.
    Other traditions run through depictions of the British landscape, below and beyond romantic idealisations. Here, Anne Douglas and Chris Fremantle trace the layers of human settlements in the hills of Aberdeenshire.
  • When is the artist a creative leader? : a provisional framework. 

    Douglas, Anne; Fremantle, Chris (Littoral, 2006-09)
    DOUGLAS, A. and FREMANTLE, C., 2006. When is the artist a creative leader? : a provisional framework. In: Proceedings of the Creative Rural Economy Conference. 10-13 September 2006. Ramsbottom: Littoral.
  • Why drawing, now? 

    Douglas, Anne; Ravetz, Amanda; Genever, Kate; Siebers, Johan (Intellect https://doi.org/10.1386/jaac.6.2-3.119_1, 2014-09-01)
    DOUGLAS, A., RAVETZ, A., GENEVER, K. and SIEBERS, J. 2014. Why drawing, now? Journal of arts and communities [online], 6(2-3), pages 119-131. Available from: https://doi.org/10.1386/jaac.6.2-3.119_1
    This article takes the question 'why drawing, now?' as a speculative way to enter the debate on the relationship of art to different understandings of community. Drawing offers a paradox around the place of art in society. ...