Now showing items 6-9 of 9

  • On probation; ‘Tracey Emin’ as sign. 

    Kokoli, Alexandra M. (Taylor & Francis http://dx.doi.org/10.1080/02690050903425342, 2010)
    KOKOLI, A. M., 2010. On probation; ‘Tracey Emin’ as sign. Wasafiri, 25 (1), pp. 33-40.
  • Social art practices as feminist manifestos: radical hospitality in the archive. 

    Gausden, Caroline (Robert Gordon University Gray's School of Art, 2016-09-01)
    GAUSDEN, C. 2016. Social art practices as feminist manifestos: radical hospitality in the archive. Robert Gordon University, PhD thesis.
    The research presents a practice-based examination of the politics and poetics of the manifesto form, drawing on feminist theoretical writing and activism alongside contemporary iterations of socially engaged art. It ...
  • Susan Hiller's paraconceptualism. 

    Kokoli, Alexandra M. (YYZ Books/MAWA/DisplayCult, 2006)
    KOKOLI, A. M., 2006. Susan Hiller’s paraconceptualism. In: J. FISHER, ed. Technologies of intuition. Toronto: YYZ Books/MAWA/DisplayCult. Pp. 119-139.
  • To Hades and back: a review of Tracey Emin's Strangeland. 

    Kokoli, Alexandra M. (The F-Word. http://www.thefword.org.uk/reviews/2006/06/strangeland, 2006-06)
    KOKOLI, A. M., 2006. To Hades and back: a review of Tracey Emin’s Strangeland. The F-Word, June 2006.
    Alexandra Kokoli reviews Tracy Emin's Strangeland, which contains autobiographical writings touching on rape, abortion and marginalization.