Now showing items 1-20 of 38

  • Adjusting sensibilities: researching artistic value 'on the edge'. 

    Douglas, Anne; Delday, Heather (University of Barcelona http://www.ub.edu/5ead/PDF/3/DouglasDelday.pdf, 2003-04)
    DOUGLAS, A. and DELDAY, H., 2003. Adjusting sensibilities: researching artistic value ‘on the edge’. Techne: Design Wisdom. Proceedings of the 5th European Academy of Design Conference. 28-30 April 2003. Barcelona: University of Barcelona.
    An understanding of the relationship between systems of production and systems of value in the visual arts is essential to the production of new sustainable approaches to creativity. Contexts for working situated ‘on ...
  • Aesthetics and ethics of working in public art: Seminar 1, a summary of the discussion. 

    Douglas, Anne (Robert Gordon University. http://www.workinginpublicseminars.org/, 2007)
    DOUGLAS, A., 2007. Aesthetics and ethics of working in public art: Seminar 1, a summary of the discussion. In: Working in Public Seminar series: Art, Practice and Policy. 2007. Aberdeen: Robert Gordon University.
    The hunch behind Working in Public is that art now exists in the public sphere in unprecedented ways. Working in Public aims therefore to open up greater uncertainty in what we think art is and to provoke more thoughtful ...
  • Altering a fixed identity: thinking through improvisation. 

    Douglas, Anne (University of Guelph http://www.criticalimprov.com/article/view/2122, 2012)
    DOUGLAS, A., 2012. Altering a fixed identity: thinking through improvisation. Critical Studies in Improvisation. [online] 8 (2). Available from: http://www.criticalimprov.com/issue/view/158 [Accessed 18 August 2014]
    "Replacing artist with player as if adopting an alias is a way of altering a fixed identity. And a changed identity is a principle of mobility, of going from one place to another…" (Kaprow, Essays on the Blurring of Art ...
  • The artist as leader: constructing a national network to support research into the creative competencies of the artist as cultural leader. 

    Douglas, Anne (Arts and Humanities Research Council http://www.ahrc.ac.uk/documents/project-reports-and-reviews/ahrc-annual-report-accounts/2006-07, 2007-07-12)
    DOUGLAS, A. 2007. The artist as leader: constructing a national network to support research into the creative competencies of the artist as cultural leader. In Arts and Humanities Research Council, Annual report and accounts, 2006-07. London: TSO [online], page 14. Available from: http://www.ahrc.ac.uk/documents/project-reports-and-reviews/ahrc-annual-report-accounts/2006-07
    This case study describes how the author is constructing a national network to support research to encourage and enable artists as future leaders.
  • The artist as leader: research report. 

    Douglas, Anne; Fremantle, Chris; Performing Arts Labs; Cultural Enterprise Office; Scottish Leadership Foundation (Robert Gordon University http://www2.rgu.ac.uk/subj/ats/ontheedge2/artistasleader/ArtistAsLeader.pdf, 2009)
    DOUGLAS, A. and FREMANTLE, C.; with Performing Arts Labs, Cultural Enterprise Office, Scottish Leadership Foundation, 2009. The artist as leader: research report. Aberdeen: Robert Gordon University.
  • Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. 

    Smith, Helen (Robert Gordon University Gray's School of Art, 2015-07)
    • What insights can art reveal in the context of organizational change? • How do artistic practices influence the way communities address change? • In what ways can an individual artistic practice concerned with the role ...
  • The artistic turn: a manifesto. 

    Coessens, Kathleen; Crispin, Darla; Douglas, Anne (Leuven University Press., 2009-09)
    COESSENS, K., CRISPIN, D. and DOUGLAS, A., 2009. The artistic turn: a manifesto. Leuven: Leuven University Press.
    Despite innovative developments in research in-and-through the arts in the past decade, the emergent field of artistic research remains controversial, and is accepted with varying degrees of enthusiasm in academic institutions. ...
  • Calendar variations. 

    Coessens, Kathleen; Douglas, Anne (Woodend Barn Publishing, 2011-12-31)
    COESSENS, K. and DOUGLAS, A. 2011. Calendar variations. Banchory: Woodend Barn.
    This small book offers a visual and verbal reflection on the process of artistic practice and the ephemeral traces left by these. It is part of the exhibition 'Calendar Variations', held at the woodend barn, Banchory, ...
  • Celestial ceiling: contemporary art, built heritage and patronage. 

    Douglas, Anne (Robert Gordon University, 2004-12-14)
    DOUGLAS, A. (ed.) 2004. Celestial ceiling: contemporary art, built heritage and patronage. Aberdeen: Robert Gordon University.
    The Celestial Ceiling project was developed in partnership with Charles Burnett of Duff House, Banff, the Schleiffer family of Cullen House, On the Edge Research and the artists John McGeoch and Robert Orchardson. Duff ...
  • Curating as practice and profession: an exploration and definition of a contemporary independent curator. 

    Irving, Iain (Robert Gordon University Gray's School of Art, 2013-06)
    (Research Aim) This research sets out to explore and define a Contemporary Independent Curator and his/her practice. This type and method of curating activity occurs in a cultural context by ...
  • Developing a research procedures programme for artists & designers. 

    Gray, Carole; Douglas, Anne; Leake, Irene; Malins, Julian Paul (The Centre for Research in Art & Design, Gray's School of Art, Robert Gordon University., 1995)
    GRAY, C., DOUGLAS, A., LEAKE, I., MALINS, J., 1995. Developing a research procedures programme for artists & designers. Aberdeen: Robert Gordon University.
    This paper builds on our earlier research concerned with describing a contextual framework for the development of ‘artistic research procedures’1, 2, and attempts to move forward from this somewhat philosophical stage ...
  • The development of strategies for interdisciplinary collaboration from within the visual arts. 

    Scopa, Karen (The Robert Gordon University The Centre for Research in Art and Design, Gray's School of Art, 2003-07)
    The current cultural climate is stimulating an increasing interest in, and need for, collaboration throughout many fields of practice. Collaborative methods of art production are evident across a range of contemporary ...
  • The discourse of cultural leadership. 

    Price, Jonathan (Robert Gordon University Faculty of Design and Technology. Gray's School of Art., 2016-02)
    Cultural leadership has been a key concept in cultural policy and training since 2002. Most closely associated with the UK’s Clore Leadership Programme, it has been developed through various courses and initiatives ...
  • Does the world draw? 

    Ravetz, Amanda; Douglas, Anne (EASA http://www.nomadit.co.uk/easa/easa2014/panels.php5?PanelID=3243, 2014-07-31)
    RAVETZ, A. and DOUGLAS, A. 2014. Does the world draw? In Proceedings of the Tallin workshop, 1st August 2014, as part of the 13th European association of social anthropologists biennial conference of collaboration intemacy and revolution (EASA 2014): innovation and continuity in an interconnected world [online], 31st July-3rd August 2014, Tallinn, Estonia. Available from: http://www.nomadit.co.uk/easa/easa2014/panels.php5?PanelID=3243
    Drawing can be explained in at least two ways: exemplifying trace, an inherent capacity or collection of characteristics in an individual (Nancy 2013) e.g. Rembrandt's drawing versus Van Gogh's drawing, the drawing of a ...
  • Drawing and the score. 

    Douglas, Anne (Leuven University Press, 2013-10)
    DOUGLAS, A., 2013. Drawing and the score. In: P. DE ASSIS, W. BROOKS and K. COESSENS, eds. Sound and Score: Essays on Sound, Score and Notation. Leuven: Leuven University Press. Pp. 206-217.
  • Drawing paper 8. 

    Douglas, Anne; Genever, Kate; Ravetz, Amanda (MIKE'S STUDIO http://www.mikesstudio.co.uk/project/drawing-paper-8/, 2015-06-01)
    DOUGLAS, A., GENEVER, K. and RAVETZ, A. (eds.) 2015. Drawing paper 8. Liverpool: Mike's Studio [online]. Available from: http://www.mikesstudio.co.uk/project/drawing-paper-8/
    Drawing Paper, the free newspaper based gallery concerned with contemporary drawing practice returns. Our 8th issue was curated and produced in collaboration with Anne Douglas, Kate Genever and Amanda Ravetz.
  • Ecology and environmental art in public place: talking tree: won't you take a minute and listen to the plight of nature? 

    Collins, Reiko Goto (Robert Gordon University Gray's School of Art, 2012-02)
    My research started with a question: Is it possible to create change if we understand life is interdependent and interrelated with nature in our environment? I researched this question from the perspective of a practising ...
  • Experiential knowledge and improvisation: variations on movement, motion, emotion. 

    Douglas, Anne; Coessens, Kathleen (Intellect. http://dx.doi.org/10.1386/adch.10.2.179_1, 2012-10)
    DOUGLAS, A. and COESSENS, K., 2012. Experiential knowledge and improvisation: variations on movement, motion, emotion. Art, Design & Communication in Higher Education, 10 (2), pp. 179-198.
    In this paper we position improvisation as a way of knowing that is experiential, pivotal to the body’s movement and growth in the world. Improvisation allows us to manage the constraints and freedoms of a world rich in ...
  • A generative framework for computer-based interactive art in mass transport systems. 

    Her, Jiun-Jhy (Robert Gordon University Gray's School of Art, 2011-10)
    Over the course of the past decade the MRT (Mass Rapid Transit) stations in Taiwan have become open air art galleries: with more prominent and frequent display of various artistic creations in stations, including interactive ...
  • How might we revalue traditional ways of making? A research project revaluing Shetland knitting. 

    Douglas, Anne (Robert Gordon University, 2004-12-31)
    DOUGLAS, A. 2004. How might we revalue traditional ways of making? A research project revaluing Shetland knitting. Essay accompanying Douglas, A. (ed.) Maakin Lab [online]. Available from: http://www.maakinlab.org/
    The Maakin Lab project was developed in partnership with the Shetland College Department of Textiles and Design, On the Edge research and artist Susan Benn of PAL. The research challenge offered up by the project partners ...