Recent Submissions

  • Hand knitting in a digital era. 

    Steed, Josie (Bloomsbury http://www.bloomsbury.com/uk/crafting-textiles-in-the-digital-age-9781474286206/, 2016-09-08)
    STEED, J. 2016. Hand knitting in a digital era. In Nimkulrat, N., Kane, F. and Walton, K. (eds.) Crafting textiles in the digital age. London: Bloomsbury, part 3, chapter 9.
    This chapter seeks to develop an argument for a more nuanced language in our critical understanding of the cultural and contextual significance of hand knitting within contemporary craft practice, towards developing a ...
  • Inconsistency and contradiction: lessons in improvisation in the work of Helen Mayer Harrison and Newton Harrison. 

    Fremantle, Chris; Douglas, Anne (Gaia Project Press, 2016-01-01)
    DOUGLAS, A. and FREMANTLE, C. 2016. Inconsistency and contradiction: lessons in improvisation in the work of Helen Mayer Harrison and Newton Harrison. In Brady, J. (ed.) Elemental: an arts and ecology reader. Manchester: Gaia Project Press.
    The aim of this essay is to draw out the learning from the authors' analysis of the practice of Helen Mayer Harrison and Newton Harrison, collectively known as 'the Harrisons'. The Harrisons are widely acknowledged as ...
  • Improvisation and embodied knowledge: three artistic projects between life, art and research. 

    Douglas, Anne; Coessens, Kathleen (Malmő Academy of Music, Lund University, 2013-12-31)
    DOUGLAS, A. and COESSENS, K. 2013. Improvisation and embodied knowledge: three artistic projects between life, art and research. In Frisk, H. and Östersjö, S. (eds.) (Re)thinking improvisation: artistic explorations and conceptual writing. Malmö: Malmö Academy of Music, Lund University, pages 29-41.
    In life there exists no script. The primacy of experience in the form of 'trying out' or improvisation, a moving from an indefinable and undifferentiated state to feeling our way by creating a direction. In art, improvisation ...
  • Working together. 

    Fremantle, Chris (Prestel, 2014-09-29)
    FREMANTLE, C. 2014. Working together. In Monoian, E., Ferry, R. and Land Art Generator Initiative (eds.) New energies: Copenhagen. London: Prestel, pages 2-5.
    Why is 'working together' so vital right now? It is at the heart of ecoart practices and at the heart of the Land Art Generator Initiative. It is one of the features that distinguish these practices and programs. LAGI asks ...
  • Drawing and the score. 

    Douglas, Anne (Leuven University Press, 2013-10)
    DOUGLAS, A., 2013. Drawing and the score. In: P. DE ASSIS, W. BROOKS and K. COESSENS, eds. Sound and Score: Essays on Sound, Score and Notation. Leuven: Leuven University Press. Pp. 206-217.
  • Designing engagement: the new edge. 

    MacDonald, Stuart (University of Lapland, Faculty of Art and Design., 2013)
    MACDONALD, S., 2013. Designing engagement: the new edge. In: T. JOKELA, G. COUTTS, M. HUHMARNIEMI AND E. HARKONEN, EDS. Cool: applied visual arts in the North. Pp. 56 – 67.
  • Joined up creativity: creative industries and Scotland’s urban and rural creative economy. 

    MacDonald, Stuart (Zero Books., 2012-12)
    MACDONALD, S., 2012. Joined up creativity: creative industries and Scotland’s urban and rural creative economy. In: MACDONALD, S. Designs on democracy: architecture and design in Scotland post devolution. London: Zero Books. pp. 147-159.
    Central to Scotland’s creative economy is Creative Scotland, the national agency, which sits within the broader context of creative and cultural provision. For the first time a corporate plan has been produced that includes ...
  • Retrofitting the International Space Station. 

    Fairburn, Susan Marie (American Institute of Aeronautics and Astronautics. http://dx.doi.org/10.2514/5.9781563479878.0059.0070, 2009)
    FAIRBURN, S., 2009. Retrofitting the International Space Station. In: A. S. HOWE and B. SHERWOOD, eds. Out of this world: the new field of space architecture. Reston, Virginia: American Institute of Aeronautics and Astronautics. Pp. 57-68.
    Crew quarters (CQ) design was key to the habitability design of Skylab, with a specific goal of providing a private space for each crewmember, who might spend 6-8 hours a day there. Despite the privacy afforded by a ...
  • The digital matrix and the paperless print. 

    Thompson, Paul (Impact Press, 2011-09)
    THOMPSON, P., 2011. The digital matrix and the paperless print. In: S. HOSKINS, ed. IMPACT 6: multi-disciplinary printmaking conference proceedings. Bristol: Impact Press, p. 44 -
    This paper examines, from the perspective of a critically engaged practioner within the context of contemporary fine art printmaking practice, the concept of a “digital matrix” and the consequent “paperless print”. It ...
  • Foreword. 

    Agnew, Michael (IDEAS Research Institute, Robert Gordon University., 2011)
    AGNEW, M., 2011. Foreword. In: M. AGNEW, ed. Hurricane Lamb at Duff House. Aberdeen: IDEAS Research Institute. Pp. 4-5
  • Breaking moulds: Brian Glassar. 

    Peach, Andrea (Scottish Gallery., 2002-03)
    PEACH, A., 2002. Breaking moulds: Brian Glassar. Catalogue of an exhibition at the Scottish Gallery. Edinburgh: Scottish Gallery.
  • Susan Hiller's paraconceptualism. 

    Kokoli, Alexandra M. (YYZ Books/MAWA/DisplayCult, 2006)
    KOKOLI, A. M., 2006. Susan Hiller’s paraconceptualism. In: J. FISHER, ed. Technologies of intuition. Toronto: YYZ Books/MAWA/DisplayCult. Pp. 119-139.
  • Introduction. 

    Kokoli, Alexandra M. (JRP/Ringier, 2008)
    KOKOLI, A. M., 2008. Introduction. In: S. HILLER. The provisional texture of reality: selected talks and texts, 1977-2007. Zurich: JRP/Ringier. Pp. 9-19
  • Fetishism and the stories of feminist art. 

    Kokoli, Alexandra M. (Cambridge Scholars Publishing., 2008)
    KOKOLI, A. M., 2008. Fetishism and the stories of feminist art. In: A. M. KOKOLI, ed. Feminism reframed: reflections on art and difference. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 206-226.
  • Introduction: looking on, bouncing back. 

    Kokoli, Alexandra M. (Cambridge Scholars Publishing, 2008)
    KOKOLI, A., 2008. Introduction: looking on, bouncing back. In: A. KOKOLI, ed. Feminism reframed: reflections on art and difference. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 1-18
    Feminism Reframed: Reflections on Art and Difference addresses the ongoing dialogue between feminism, art history and visual culture from contemporary scholarly perspectives. Over the past thirty years, the critical ...
  • On the Edge: an exploration of the visual arts in remote rural contexts of Northern Scotland. 

    Douglas, Anne (Intellect Books, 2005-02)
    DOUGLAS, A., 2005. On the Edge: an exploration of the visual arts in remote rural contexts of Northern Scotland. In: M. MILES and T. HALL, eds. Interventions: Art in the Public Sphere. Bristol: Intellect Books. Pp. 89-106.

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