Recent Submissions

  • Drawing and the score. 

    Douglas, Anne (Leuven University Press, 2013-10)
    DOUGLAS, A., 2013. Drawing and the score. In: P. DE ASSIS, W. BROOKS and K. COESSENS, eds. Sound and Score: Essays on Sound, Score and Notation. Leuven: Leuven University Press. Pp. 206-217.
  • Designing engagement: the new edge. 

    MacDonald, Stuart (University of Lapland, Faculty of Art and Design., 2013)
    MACDONALD, S., 2013. Designing engagement: the new edge. In: T. JOKELA, G. COUTTS, M. HUHMARNIEMI AND E. HARKONEN, EDS. Cool: applied visual arts in the North. Pp. 56 – 67.
  • Joined up creativity: creative industries and Scotland’s urban and rural creative economy. 

    MacDonald, Stuart (Zero Books., 2012-12)
    MACDONALD, S., 2012. Joined up creativity: creative industries and Scotland’s urban and rural creative economy. In: MACDONALD, S. Designs on democracy: architecture and design in Scotland post devolution. London: Zero Books. pp. 147-159.
    Central to Scotland’s creative economy is Creative Scotland, the national agency, which sits within the broader context of creative and cultural provision. For the first time a corporate plan has been produced that includes ...
  • Retrofitting the International Space Station. 

    Fairburn, Susan Marie (American Institute of Aeronautics and Astronautics. http://dx.doi.org/10.2514/5.9781563479878.0059.0070, 2009)
    FAIRBURN, S., 2009. Retrofitting the International Space Station. In: A. S. HOWE and B. SHERWOOD, eds. Out of this world: the new field of space architecture. Reston, Virginia: American Institute of Aeronautics and Astronautics. Pp. 57-68.
    Crew quarters (CQ) design was key to the habitability design of Skylab, with a specific goal of providing a private space for each crewmember, who might spend 6-8 hours a day there. Despite the privacy afforded by a ...
  • The digital matrix and the paperless print. 

    Thompson, Paul (Impact Press, 2011-09)
    THOMPSON, P., 2011. The digital matrix and the paperless print. In: S. HOSKINS, ed. IMPACT 6: multi-disciplinary printmaking conference proceedings. Bristol: Impact Press, p. 44 -
    This paper examines, from the perspective of a critically engaged practioner within the context of contemporary fine art printmaking practice, the concept of a “digital matrix” and the consequent “paperless print”. It ...
  • Foreword. 

    Agnew, Michael (IDEAS Research Institute, Robert Gordon University., 2011)
    AGNEW, M., 2011. Foreword. In: M. AGNEW, ed. Hurricane Lamb at Duff House. Aberdeen: IDEAS Research Institute. Pp. 4-5
  • Breaking moulds: Brian Glassar. 

    Peach, Andrea (Scottish Gallery., 2002-03)
    PEACH, A., 2002. Breaking moulds: Brian Glassar. Catalogue of an exhibition at the Scottish Gallery. Edinburgh: Scottish Gallery.
  • Susan Hiller's paraconceptualism. 

    Kokoli, Alexandra M. (YYZ Books/MAWA/DisplayCult, 2006)
    KOKOLI, A. M., 2006. Susan Hiller’s paraconceptualism. In: J. FISHER, ed. Technologies of intuition. Toronto: YYZ Books/MAWA/DisplayCult. Pp. 119-139.
  • Introduction. 

    Kokoli, Alexandra M. (JRP/Ringier, 2008)
    KOKOLI, A. M., 2008. Introduction. In: S. HILLER. The provisional texture of reality: selected talks and texts, 1977-2007. Zurich: JRP/Ringier. Pp. 9-19
  • Fetishism and the stories of feminist art. 

    Kokoli, Alexandra M. (Cambridge Scholars Publishing., 2008)
    KOKOLI, A. M., 2008. Fetishism and the stories of feminist art. In: A. M. KOKOLI, ed. Feminism reframed: reflections on art and difference. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 206-226.
  • Introduction: looking on, bouncing back. 

    Kokoli, Alexandra M. (Cambridge Scholars Publishing, 2008)
    KOKOLI, A., 2008. Introduction: looking on, bouncing back. In: A. KOKOLI, ed. Feminism reframed: reflections on art and difference. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 1-18
    Feminism Reframed: Reflections on Art and Difference addresses the ongoing dialogue between feminism, art history and visual culture from contemporary scholarly perspectives. Over the past thirty years, the critical ...
  • On the Edge: an exploration of the visual arts in remote rural contexts of Northern Scotland. 

    Douglas, Anne (Intellect Books, 2005-02)
    DOUGLAS, A., 2005. On the Edge: an exploration of the visual arts in remote rural contexts of Northern Scotland. In: M. MILES and T. HALL, eds. Interventions: Art in the Public Sphere. Bristol: Intellect Books. Pp. 89-106.

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