Recent Submissions

  • Spheres of practices for the co-design of wearables. 

    Fairburn, Susan Marie; Steed, Josie; Coulter, Janet (Taylor and Francis https://doi.org/10.1080/20511787.2016.1255445, 2016-12-12)
    FAIRBURN, S., STEED, J. and COULTER, J. 2016. Spheres of practices for the co-design of wearables. Journal of textile design research and practice [online], 4(1), pages 85-109. Available from: https://doi.org/10.1080/20511787.2016.1255445.
    As expectations within the area of smart textiles increasingly become informed and driven by technological developments, the disciplinary boundaries and relationship between user and technological innovation will unavoidably ...
  • Research papers: leading through practice. 

    Douglas, Anne; Fremantle, Chris (a-n https://www.a-n.co.uk/tag/leading-through-practice, 2007-03-01)
    DOUGLAS, A. and FREMANTLE, C. (eds.) 2007. Research papers: leading through practice. Newcastle-upon-Tyne: a-n [online]. Available from: https://www.a-n.co.uk/tag/leading-through-practice.
    Artist as Leader is a programme that aims to understand the ways artists lead through their practice with a view to informing and developing a critical understanding of the role of creativity in culture. There are two ...
  • How images actually work: settling a longstanding debate. 

    Hamlyn, Jim (COMMON GROUND RESEARCH NETWORKS https://doi.org/10.18848/2154-8560/CGP/v07i01/13-21, 2016-01-08)
    HAMLYN, J. 2016. How images actually work: settling a longstanding debate. The international journal of the image [online], 7(1), pages 13-21. Available from: https://doi.org/10.18848/2154-8560/CGP/v07i01/13-21
    As a cultural innovation, image-making is perhaps one of our most enduring forms of new media. The many technical developments necessary for the production of convincing images have emerged over the last 40,000 years, yet ...
  • Networks of attribution: the cultural origins of meaning. 

    Hamlyn, Jim (COMMON GROUND RESEARCH NETWORKS http://ijaspc.cgpublisher.com/product/pub.233/prod.119, 2016-11-15)
    HAMLYN, J. 2016. Networks of attribution: the cultural origins of meaning. International journal of social, political and community agendas in the arts [online], 12(1), pages 23-28. Available from: http://ijaspc.cgpublisher.com/product/pub.233/prod.119
    Despite the fact that we commonly refer to artworks as 'meaningful' things, this is not to say that meaning is a property analogous to size or shape. If meaning is not a property, then it seems reasonable to suppose that ...
  • Why drawing, now? 

    Douglas, Anne; Ravetz, Amanda; Genever, Kate; Siebers, Johan (Intellect https://doi.org/10.1386/jaac.6.2-3.119_1, 2014-09-01)
    DOUGLAS, A., RAVETZ, A., GENEVER, K. and SIEBERS, J. 2014. Why drawing, now? Journal of arts and communities [online], 6(2-3), pages 119-131. Available from: https://doi.org/10.1386/jaac.6.2-3.119_1
    This article takes the question 'why drawing, now?' as a speculative way to enter the debate on the relationship of art to different understandings of community. Drawing offers a paradox around the place of art in society. ...
  • Drawing paper 8. 

    Douglas, Anne; Genever, Kate; Ravetz, Amanda (MIKE'S STUDIO http://www.mikesstudio.co.uk/project/drawing-paper-8/, 2015-06-01)
    DOUGLAS, A., GENEVER, K. and RAVETZ, A. (eds.) 2015. Drawing paper 8. Liverpool: Mike's Studio [online]. Available from: http://www.mikesstudio.co.uk/project/drawing-paper-8/
    Drawing Paper, the free newspaper based gallery concerned with contemporary drawing practice returns. Our 8th issue was curated and produced in collaboration with Anne Douglas, Kate Genever and Amanda Ravetz.
  • Walking in unquiet landscapes: layers of human settlements in the hills of Aberdeenshire. 

    Douglas, Anne; Fremantle, Chris (Tate Publishing, 2016-01-04)
    DOUGLAS, A. and FREMANTLE, C. 2016. Walking in unquiet landscapes: layers of human settlements in the hills of Aberdeenshire. Tate etc., Issue 36, pages 94-95.
    Other traditions run through depictions of the British landscape, below and beyond romantic idealisations. Here, Anne Douglas and Chris Fremantle trace the layers of human settlements in the hills of Aberdeenshire.
  • Understanding experimentation as improvisation in arts research. 

    Douglas, Anne; Gulari, Melehat Nil (Emerald https://dx.doi.org/10.1108/QRJ-06-2015-0035, 2015-12-01)
    DOUGLAS, A. and GULARI, M.N. 2015. Understanding experimentation as improvisation in arts research. Qualitative research journal [online], 15(4), pages 392-403. Available from: https://dx.doi.org/10.1108/QRJ-06-2015-0035
    Purpose - The purpose of this paper is to address the following questions: in what sense does experimentation as improvisation lead to methodological innovation? What are the implications of artistic experimentation as ...
  • How can a box become a garment. 

    Hardingham, Laura A. (Taylor and Francis https://dx.doi.org/10.1080/17543266.2016.1167254, 2016-03-30)
    HARDINGHAM, L.A. 2016. How can a box become a garment. International journal of fashion design, technology and education [online], 9(2), pages 97-105. Available from: https://dx.doi.org/10.1080/17543266.2016.1167254
    This paper analyses the pedagogy connecting fashion students' understanding of pattern making and garment construction through the project 'how can a box become a garment', implemented as an alternative novel approach for ...
  • Conversational mapping: revaluing the social aspects of art. 

    Gausden, Caroline; Smith, Helen (Hyperrhiz http://hyperrhiz.io/hyperrhiz12/conversing-with-maps/3-gausden-smith-conversational-mapping.html, 2015-08)
    GAUSDEN, C. and SMITH, H. 2015. Conversational mapping: revaluing the social aspects of art. Hyperrhiz: new media cultures [online], 12. Available from: http://hyperrhiz.io/hyperrhiz12/conversing-with-maps/3-gausden-smith-conversational-mapping.html
    This submission, part audio, part text continues a dialogue between artist Helen Smith and critical theorist Caroline Gausden delivered at the 2014 Mapping Culture Conference in Coimbra, which compared two distinct geographies ...
  • Metaphors in design: how we think of design expertise. 

    Gulari, Melehat Nil (Athabasca University Press http://jrp.icaap.org/index.php/jrp/article/view/485/423, 2015-12)
    GULARI, M.N., 2015. Metaphors in design: How we think of design expertise. Journal of Research Practice, Vol. 11 (2), Article M8.
    GULARI, M.N., 2015. Metaphors in design: How we think of design expertise. Journal of Research Practice, Vol. 11 (2), Article M8.
  • Owning failure: insights into the perceptions and understandings of art educators. 

    Fremantle, Chris; Kearney, Gemma (John Wiley & Sons Ltd http://dx.doi.org/10.1111/jade.12083, 2015-10)
    FREMANTLE, C. and KEARNEY, G., 2015. Owning Failure: Insights Into the Perceptions and Understandings of Art Educators. International Journal of Art and Design Education, Vol 34 (3), pp 309-318.
    Failure forms an important dimension of art and design and is inherent in creative endeavours. This article explores current literature on failure in the art and design context and offers a contribution through qualitative ...
  • Contesting agendas of participation in the arts. 

    Price, Jonathan (Intellect http://dx.doi.org/10.1386/jaac.7.1-2.17_1, 2015-06-01)
    PRICE, J., 2015. Contesting agendas of participation in the arts. Journal of Arts and Communities, 7 (1-2), pp. 17-31.
    Forms of participatory practice have become ever more widely employed across the arts in recent years, operating across various institutional settings and social contexts. It is misleading, however, to assume that a single ...
  • Movement and moment: in-between discreteness and continuity. 

    Douglas, Anne; Coessens, Kathleen (Edinburgh University Press. http://dx.doi.org/10.3366/soma.2014.0117, 2014-03)
    DOUGLAS, A. and COESSENS, K. 2014. Movement and moment: in-between discreteness and continuity. Somatechnics [online], 4(1), pages 149-167. Available from: https://doi.org/10.3366/soma.2014.0117.
    This paper explores a paradox. We breathe in, and then out. We walk by making paces, alternating left and right feet. Walking and breathing are made up of discrete intervals of space and time, involuntary actions of the ...
  • Altering a fixed identity: thinking through improvisation. 

    Douglas, Anne (University of Guelph https://doi.org/10.21083/csieci.v8i2.2122, 2012)
    DOUGLAS, A., 2012. Altering a fixed identity: thinking through improvisation. Critical Studies in Improvisation. [online] 8 (2). Available from: http://www.criticalimprov.com/issue/view/158 [Accessed 18 August 2014]
    "Replacing artist with player as if adopting an alias is a way of altering a fixed identity. And a changed identity is a principle of mobility, of going from one place to another…" (Kaprow, Essays on the Blurring of Art ...
  • Experiential knowledge and improvisation: variations on movement, motion, emotion. 

    Douglas, Anne; Coessens, Kathleen (Intellect. https://doi.org/10.1386/adch.10.2.179_1, 2012-10-26)
    DOUGLAS, A. and COESSENS, K. 2012. Experiential knowledge and improvisation: variations on movement, motion, emotion. Art, design and communication in higher education [online], 10(2), pages 179-198. Available from: https://doi.org/10.1386/adch.10.2.179_1
    In this paper we position improvisation as a way of knowing that is experiential, pivotal to the body’s movement and growth in the world. Improvisation allows us to manage the constraints and freedoms of a world rich in ...
  • Tools for community - Ivan Illich's legacy. 

    MacDonald, Stuart (Intellect. http://dx.doi.org/10.1386/eta.8.2.121_1, 2012-05)
    MACDONALD, S., 2012. Tools for community – Ivan Illich’s legacy. International Journal of Education through Art, 8 (2), pp. 121 – 133.
    Although it is 40 years since Ivan Illich published Tools for Conviviality, the word 'convivial' retains an appeal conjuring up liveliness, sociability and, in this age of economic uncertainty, optimism. But in an era of ...
  • Transferable skills and the drug dependent: a journey through the city of Glasgow. 

    Hackett, Charlie (Common Ground http://ijaspc.cgpublisher.com/product/pub.233/prod.21, 2013)
    HACKETT, C., 2013. Transferable skills and the drug dependent: a journey through the city of Glasgow. The International Journal of Social, Political and Community Agendas in the Arts, 7 (3), pp. 1-14.
    Voices narrate their views on skills, transferable skills, marginalisation and poverty in relation to society, opportunity and drug addiction. Narcotic addicts need to educate themselves on where to source and buy drugs ...
  • Beyond the creative industries. 

    MacDonald, Stuart (Intellect. http://dx.doi.org/10.1386/eta.9.3.293_1, 2013-10)
    MACDONALD, S., 2013. Beyond the creative industries. International Journal of Education Through Art, 9 (3), pp. 293-310.
    Although Creative Industries as engines of post-industrial economies have assumed an increasing global priority with implications for art education at all levels few studies exist. Nomenclature here is contested, especially ...
  • Unravel: revaluing the craft of knitting for new emergent design contexts within a post-industrial world. 

    Steed, Josie (Plymouth College of Art http://makingfutures.plymouthart.ac.uk/journalvol2/pdf/Steed_Josephine.pdf, 2012)
    STEED, J., 2012. Unravel: revaluing the craft of knitting for new emergent design contexts within a post-industrial world. Making Futures, 2, pp. 297-306.
    Knitting is embedded within our culture and navigates between practice, artefact, and narrative, acting as a rich metaphor for social change (Hemmings, 2010). Knitting can transcend traditional boundaries of craft practice ...

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