Now showing items 38-42 of 42

  • Understanding experimentation as improvisation in arts research. 

    Douglas, Anne; Gulari, Melehat Nil (Emerald https://dx.doi.org/10.1108/QRJ-06-2015-0035, 2015-12-01)
    DOUGLAS, A. and GULARI, M.N. 2015. Understanding experimentation as improvisation in arts research. Qualitative research journal [online], 15(4), pages 392-403. Available from: https://dx.doi.org/10.1108/QRJ-06-2015-0035
    Purpose - The purpose of this paper is to address the following questions: in what sense does experimentation as improvisation lead to methodological innovation? What are the implications of artistic experimentation as ...
  • Unravel: revaluing the craft of knitting for new emergent design contexts within a post-industrial world. 

    Steed, Josie (Plymouth College of Art http://makingfutures.plymouthart.ac.uk/journalvol2/pdf/Steed_Josephine.pdf, 2012)
    STEED, J., 2012. Unravel: revaluing the craft of knitting for new emergent design contexts within a post-industrial world. Making Futures, 2, pp. 297-306.
    Knitting is embedded within our culture and navigates between practice, artefact, and narrative, acting as a rich metaphor for social change (Hemmings, 2010). Knitting can transcend traditional boundaries of craft practice ...
  • Walking in unquiet landscapes: layers of human settlements in the hills of Aberdeenshire. 

    Douglas, Anne; Fremantle, Chris (Tate Publishing, 2016-01-04)
    DOUGLAS, A. and FREMANTLE, C. 2016. Walking in unquiet landscapes: layers of human settlements in the hills of Aberdeenshire. Tate etc., Issue 36, pages 94-95.
    Other traditions run through depictions of the British landscape, below and beyond romantic idealisations. Here, Anne Douglas and Chris Fremantle trace the layers of human settlements in the hills of Aberdeenshire.
  • What goes around comes around? Craft revival, the 1970s and today. 

    Peach, Andrea (Intellect https://doi.org/10.1386/crre.4.2.161_1, 2013-10-01)
    PEACH, A. 2013. What goes around comes around? Craft revival, the 1970s and today. Craft research [online], 4(2), pages 161-179. Available from: https://doi.org/10.1386/crre.4.2.161_1
    This article critically reviews the concept of ‘revival’ in relation to making in contemporary culture. The 1970s are a period, which craft historians and theorists generally acknowledge as one of revival and reinvention ...
  • Why drawing, now? 

    Douglas, Anne; Ravetz, Amanda; Genever, Kate; Siebers, Johan (Intellect https://doi.org/10.1386/jaac.6.2-3.119_1, 2014-09-01)
    DOUGLAS, A., RAVETZ, A., GENEVER, K. and SIEBERS, J. 2014. Why drawing, now? Journal of arts and communities [online], 6(2-3), pages 119-131. Available from: https://doi.org/10.1386/jaac.6.2-3.119_1
    This article takes the question 'why drawing, now?' as a speculative way to enter the debate on the relationship of art to different understandings of community. Drawing offers a paradox around the place of art in society. ...