Now showing items 1-20 of 125

  • Accuracy of physical activity recognition from a wrist-worn sensor. 

    Cooper, Kay; Sani, Sadiq; Corrigan, Liam; MacDonald, Haley; Prentice, Chris; Vareta, Rob; Massie, Stewart; Wiratunga, Nirmalie (Physiotherapy UK http://www.physiotherapyuk.org.uk/, 2017-11-10)
    COOPER, K., SANI, S., CORRIGAN, L., MACDONALD, H., PRENTICE, C., VARETA, R., MASSIE, S. and WIRATUNGA, N. 2017. Accuracy of physical activity recognition from a wrist-worn sensor. Presented at the Physiotherapy UK conference and trade exhibition 2017: transform lives, maximise independence and empower populations, 10-11 November 2017, Birmingham, UK.
    The EU-funded project 'selfBACK' (http://www.selfback.eu) will utilise continuous objective monitoring of physical activity (PA) by a wrist-mounted wearable, combined with self-monitoring of symptoms and case-based reasoning. ...
  • Adjusting sensibilities: researching artistic value 'on the edge'. 

    Douglas, Anne; Delday, Heather (University of Barcelona http://www.ub.edu/5ead/PDF/3/DouglasDelday.pdf, 2003-04)
    DOUGLAS, A. and DELDAY, H. 2003. Adjusting sensibilities: researching artistic value 'on the edge'. In the Proceedings of the 5th international conference of the European Academy of Design (EAD 05): techné: design wisdom, 28-30 April 2003, Barcelona, Spain. Barcelona: University of Barcelona [online]. Available from: http://www.ub.edu/5ead/PDF/3/DouglasDelday.pdf
    An understanding of the relationship between systems of production and systems of value in the visual arts is essential to the production of new sustainable approaches to creativity. Contexts for working situated ‘on ...
  • Aesthetics and ethics of working in public art: a summary of the discussion for seminar one. 

    Douglas, Anne (Robert Gordon University. http://www.workinginpublicseminars.org/, 2007)
    DOUGLAS, A. 2007. Aesthetics and ethics of working in public art: a summary of the discussion for seminar one. In On the Edge Research. 2007. Aesthetics and ethics of working in public: 'Working in Public Seminars' project, seminar one [online]. Proceedings of a seminar held in 2007, Aberdeen, UK. Available from: http://www.workinginpublicseminars.org/
    The hunch behind Working in Public is that art now exists in the public sphere in unprecedented ways. Working in Public aims therefore to open up greater uncertainty in what we think art is and to provoke more thoughtful ...
  • Aesthetics and ethics of working in public: 'Working in Public Seminars' project, seminar one. 

    On the Edge Research (On the Edge Research http://www.workinginpublicseminars.org/, 2007-12-31)
    ON THE EDGE RESEARCH. 2007. Aesthetics and ethics of working in public: 'Working in Public Seminars' project, seminar one [online]. Proceedings of a seminar held in 2007, Aberdeen, UK. Available from http://www.workinginpublicseminars.org/
    The seminar drew discussion through a range of questions: How we might determine what is art and what is not art? When and where is it appropriate for the artist to speak for others? When art is camouflaged in every day ...
  • Airport public engagement strategy template. 

    Grinnall, Andy (SPARA 2020, 2017-11-01)
    GRINNALL, A. 2017. Airport public engagement strategy template. Aberdeen: SPARA Project, Deliverable 7.2.
    This model shows goals and methods of engagement at five engagement levels: Identify, Inform, Consult, Involve, Collaborate and Empower. For each method benefits and potential limitations are noted. These are to be used ...
  • Airport stakeholder engagement strategy template. 

    Grinnall, Andy (SPARA 2020, 2017-11-01)
    GRINNALL, A. 2017. Airport stakeholder engagement strategy template. Aberdeen: SPARA Project, Deliverable 7.2.
    This model shows goals and methods of engagement at five engagement levels: Identify, Inform, Consult, Involve, Collaborate and Empower. For each method benefits and potential limitations are noted. These are to be used ...
  • Altering a fixed identity: thinking through improvisation. 

    Douglas, Anne (University of Guelph https://doi.org/10.21083/csieci.v8i2.2122, 2012)
    DOUGLAS, A., 2012. Altering a fixed identity: thinking through improvisation. Critical Studies in Improvisation. [online] 8 (2). Available from: http://www.criticalimprov.com/issue/view/158 [Accessed 18 August 2014]
    "Replacing artist with player as if adopting an alias is a way of altering a fixed identity. And a changed identity is a principle of mobility, of going from one place to another…" (Kaprow, Essays on the Blurring of Art ...
  • The appearance of women's politics in the correspondence pages of Aberdeen newspapers 1900-1914. 

    Pedersen, Sarah (Taylor & Francis http://dx.doi.org/10.1080/09612020200200343, 2002)
    PEDERSEN, S., 2002. The appearance of women's politics in the correspondence pages of Aberdeen newspapers 1900-1914. Women's History Review, 11 (4), pp. 657-674
    A newspaper’s ‘Letters to the Editor’ column represents its readership in an unique way and can provide a useful ‘thermometer’ with which to measure the extent of critical debate and discussion a particular issue generated ...
  • Artist as leader (2007-09). 

    On the Edge Research (On the Edge Research https://ontheedgeresearch.org/artist-as-leader-2007-09/, 2013-11-26)
    ON THE EDGE RESEARCH. 2009. Artist as leader (2007-09) [online]. Available from: https://ontheedgeresearch.org/artist-as-leader-2007-09/
    Artist as Leader posed the questions What does leadership mean to artists? Can artists be leaders? The research formed a partnership between Performing Arts Labs, London, Cultural Enterprise Office, Glasgow and the Cultural ...
  • Artist as leader. [Film] 

    Davie, Emma (Edinburgh College of Art, 2008-01-31)
    DAVIE, E. [2008]. Artist as leader. [Film]. Edinburgh: Edinburgh College of Art.
    Artist as Leader posed the questions: "what does leadership mean to artists," and "can artists be leaders?" The research formed a partnership between Performing Arts Labs, London, Cultural Enterprise Office, Glasgow and ...
  • The artist as leader: constructing a national network to support research into the creative competencies of the artist as cultural leader. 

    Douglas, Anne (Arts and Humanities Research Council http://www.ahrc.ac.uk/documents/project-reports-and-reviews/ahrc-annual-report-accounts/2006-07, 2007-07-12)
    DOUGLAS, A. 2007. The artist as leader: constructing a national network to support research into the creative competencies of the artist as cultural leader. In Arts and Humanities Research Council, Annual report and accounts, 2006-07. London: TSO [online], page 14. Available from: http://www.ahrc.ac.uk/documents/project-reports-and-reviews/ahrc-annual-report-accounts/2006-07
    This case study describes how the author is constructing a national network to support research to encourage and enable artists as future leaders.
  • The artist as leader: research report. 

    Douglas, Anne; Fremantle, Chris; Performing Arts Labs; Cultural Enterprise Office; Scottish Leadership Foundation (Robert Gordon University http://www2.rgu.ac.uk/subj/ats/ontheedge2/artistasleader/ArtistAsLeader.pdf, 2009)
    DOUGLAS, A. and FREMANTLE, C.; with Performing Arts Labs, Cultural Enterprise Office, Scottish Leadership Foundation, 2009. The artist as leader: research report. Aberdeen: Robert Gordon University.
  • Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. 

    Smith, Helen (Robert Gordon University Gray's School of Art, 2015-07)
    SMITH, H. 2015. Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. Robert Gordon University, PhD thesis.
    • What insights can art reveal in the context of organizational change? • How do artistic practices influence the way communities address change? • In what ways can an individual artistic practice concerned with the role ...
  • The artistic turn: a manifesto. 

    Coessens, Kathleen; Crispin, Darla; Douglas, Anne (Leuven University Press. http://upers.kuleuven.be/en/book/9789490389000, 2009-09)
    COESSENS, K., CRISPIN, D. and DOUGLAS, A., 2009. The artistic turn: a manifesto. Leuven: Leuven University Press.
    Despite innovative developments in research in-and-through the arts in the past decade, the emergent field of artistic research remains controversial, and is accepted with varying degrees of enthusiasm in academic institutions. ...
  • Autonomous working in the oil and gas industry: research report. [Final report] 

    Gibbons-Wood, David; MacLeod, Iain (RGU, 2012-07-01)
    GIBBONS-WOOD, D. and MACLEOD, I. 2012. Autonomous working in the oil and gas industry: research report. [Final report]. Aberdeen: RGU.
    This report is the final report detailing the findings of a study of autonomous working in the oil and gas industry. This study is part of the final output of a 30 month project run by Robert Gordon University and Aberdeen ...
  • Best practice worksheet for engagement using social media. 

    Grinnall, Andy (SPARA 2020, 2017-11-01)
    GRINNALL, A. 2017. Best practice worksheet for engagement using social media. Aberdeen: SPARA Project, Deliverable 7.2.
    Workflow guidance of best practice methods for airports when communicating information through social media.
  • Breaking through the aesthetics of public art. 

    Douglas, Anne; Fremantle, Chris (Bergen National Academy of Arts, 2008-12-31)
    DOUGLAS, A. and FREMANTLE, C. 2008. Breaking through the aesthetics of public art. Presented at Sensuous knowledge 5 (SK5): questioning qualities, 2008, Bergen, Norway. Bergen: Bergen National Academy of Arts.
    Our research is concerned with the changing nature of public art. We work with the experience of making art, drawing on articulations of process developed by artists themselves as well as theorists and historians. We also ...
  • Calendar variations. 

    Coessens, Kathleen; Douglas, Anne (Woodend Barn Publishing, 2011-12-31)
    COESSENS, K. and DOUGLAS, A. 2011. Calendar variations. Banchory: Woodend Barn.
    This small book offers a visual and verbal reflection on the process of artistic practice and the ephemeral traces left by these. It is part of the exhibition 'Calendar Variations', held at the woodend barn, Banchory, ...
  • Caroline Phillips: Aberdeen suffragette and journalist. 

    Pedersen, Sarah (Robert Gordon University, 2017-11-01)
    PEDERSEN, S. 2017. Caroline Phillips: Aberdeen suffragette and journalist. Aberdeen: Robert Gordon University.
    Aberdeen Art Gallery holds a unique collection of correspondence that belonged to a woman journalist called Caroline Phillips. As honorary secretary of the Aberdeen branch of the Women's Social and Political Union (WSPU), ...
  • Celestial ceiling: contemporary art, built heritage and patronage. 

    Douglas, Anne (Robert Gordon University, 2004-12-14)
    DOUGLAS, A. (ed.) 2004. Celestial ceiling: contemporary art, built heritage and patronage. Aberdeen: Robert Gordon University.
    The Celestial Ceiling project was developed in partnership with Charles Burnett of Duff House, Banff, the Schleiffer family of Cullen House, On the Edge Research and the artists John McGeoch and Robert Orchardson. Duff ...