Now showing items 1-20 of 101

  • Polypharmacy management by 2030: a patient safety challenge. 

    Mair, Alpana; Fernandez-Llimos, Fernando; Alonso, Albert; Harrison, Cathy; Hurding, Simon; Kempen, Thomas; Kinnear, Moira; Michael, Nils; McIntosh, Jennifer; Wilson, Martin; SIMPATHY Consortium (SIMPATHY Consortium http://www.simpathy.eu/resources/publications/simpathy-project-reference-book, 2017-04-30)
    MAIR, A., FERNANDES-LLIMOS, F., ALONSO, A., HARRISON, C., HURDING, S., KEMPEN, T., KINNEAR, M., MICHAEL, N., MCINTOSH, J., WILSON, M. and the SIMPATHY consortium. 2017. Polypharmacy management by 2030: a patient safety challenge. Edinburgh: SIMPATHY CONSORTIUM [online]. Available from: http://www.simpathy.eu/resources/publications/simpathy-project-reference-book
    The SIMPATHY (Stimulating Innovation Management of Polypharmacy and Adherence in The Elderly) consortium have explored how healthcare management programmes can be implemented to improve medication safety and prevent patient ...
  • The social and cultural role of small, remote airports in the Northern Periphery. 

    Bloice, Lyndsay; Baxter, Graeme; Gray, David (Aberdeen University, 2017-08-27)
    BLOICE, L., BAXTER, G. and GRAY, D. 2017. The social and cultural role of small, remote airports in the Northern Periphery. Presented at the Conversations from the north conference, 27-29 August 2017, Aberdeen, UK.
    This paper presented the key themes emerging from Work Package 7.1 of the project entitled Smart Peripheral and Remote Airports (SPARA) 2020. Work Package 7.1 consisted of qualitative research that explored the social and ...
  • Report on the social and cultural importance of remote and peripheral airports. 

    Bloice, Lyndsay; Baxter, Graeme; Gray, David (SPARA 2020 http://spara2020.eu, 2017-02-28)
    BLOICE, L., BAXTER, G. and GRAY, D. 2017. Report on the social and cultural importance of remote and peripheral airports. Aberdeen: SPARA Project, Deliverable 7.1.
    This report presents the results of qualitative research conducted as Activity 7.1 within Work Package 7 of the SPARA 2020 project. It specifically explores the social and cultural importance of remote and peripheral ...
  • On the edge: a new articulation of the visual arts in rural and remote areas. 

    Douglas, Anne; Gray, Carole; Delday, Heather (Fruitmarket Gallery, 2002-12-31)
    DOUGLAS, A., GRAY, C. and DELDAY, H. 2002. On the edge: a new articulation of the visual arts in rural and remote areas. In McLean, E. and Dougherty, S. (eds.) Heaven on earth. Edinburgh: Fruitmarket Gallery, pages 14-27.
    This publication was published to accompany the forum Heaven on Earth which took place at Duncan of Jordanstone College of Art and Design on 7 December 2001.
  • Practice-led research and improvisation in post modern culture. 

    Douglas, Anne (http://www.orpheusinstituut.be/en/education/docartes, 2016-02-26)
    DOUGLAS, A. 2016. Practice-led research and improvisation in post modern culture. Presented as part of the docARTES: crossing borders programme, 26 February 2016, Ghent, Belguim.
    docARTES is an international inter-university doctoral programme for practice-based research in musical arts, designed for musician-researchers. This was an invited lecture for the Crossing borders programme.
  • What poetry does best: the Harrisons' poetics of being and acting in the world. 

    Douglas, Anne; Fremantle, Chris (Prestel, 2016-10-25)
    DOUGLAS, A. and FREMANTLE, C. 2016. What poetry does best: the Harrisons' poetics of being and acting in the world. In Harrison, H.M. and Harrison, N. (eds.) The time of the force majeure: after 45 years counterforce is on the horizon. Grantham: Prestel.
    "Simply paying attention guarantees the transformation from a nature supposedly asleep to the work that displays nature’s strange vitality. Art is what attention makes with nature." This observation by Michel De Certeau, ...
  • Breaking through the aesthetics of public art. 

    Douglas, Anne; Fremantle, Chris (Bergen National Academy of Arts, 2008-12-31)
    DOUGLAS, A. and FREMANTLE, C. 2008. Breaking through the aesthetics of public art. Presented at Sensuous knowledge 5 (SK5): questioning qualities, 2008, Bergen, Norway. Bergen: Bergen National Academy of Arts.
    Our research is concerned with the changing nature of public art. We work with the experience of making art, drawing on articulations of process developed by artists themselves as well as theorists and historians. We also ...
  • Leaving the (social) ground of (artistic) intervention more fertile: an ecology of practice in the everyday. 

    Douglas, Anne; Fremantle, Chris (Bergen Academy of Art and Design, 2005-11-30)
    DOUGLAS, A. and FREMANTLE, C. 2005. Leaving the (social) ground of (artistic) intervention more fertile: an ecology of practice in the everyday. Presented at Sensuous knowledge 2 (SK2): aesthetic practice and aesthetic insight, November 2005, Bergen, Norway.
    This paper reviews the projects that fed into the On the Edge research programme between 2001-2004.
  • The dynamic of the edge: practice led research into the value of the arts in marginal spaces. 

    Douglas, Anne; Fremantle, Chris; Delday, Heather (Bergen Academy of Art and Design, 2004-10-26)
    DOUGLAS, A., FREMANTLE, C. and DELDAY, H. 2004. The dynamic of the edge: practice led research into the value of the arts in marginal spaces. Presented at Sensuous knowledge 1 (SK1), 26-28 October 2004, Solstrand, Norway.
    This paper articulates an approach to art and design practice that questions two fundamental assumptions: firstly, it is not framed by the creative practice of an individual artist delivering an authored artwork to a public ...
  • 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday. 

    Delday, Heather (Robert Gordon University Faculty of Design and Technology. Gray's School of Art., 2006-06-01)
    DELDAY, H. 2006. 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday. Robert Gordon University, PhD thesis.
    This research proposes and develops a critical framework - a 'matrix' to make sense of the artistic process from the practitioner's perspective. It draws from the research of de Certeau into everyday culture and the art ...
  • Encounter in art. 

    Douglas, Anne (http://2014.fola.com.au/program/art-and-encounter/, 2014-03-15)
    DOUGLAS, A. 2014. Encounter in art. Presented at Art and encounter 2014: beyond audience develpment; why do artists engage publics in participation?, 14-30 March 2014, Melbourne, Australia. Melbourne: Arts House.
    This presentation explores how 'encounter' is different from 'event' and making this differentiation has important implications on how we imagine the relationship of art to audience. The author introduces some theoretical ...
  • Leading through art: exploring action and improvisation. 

    Douglas, Anne (University of Melbourne, 2014-03-04)
    DOUGLAS, A. 2014. Leading through art: exploring action and improvisation. Presented at the Macgeorge fellowship, Centre for creative partnerships, 4 March 2014, Melbourne, Australia. Melbourne: University of Melbourne.
    A keynote such as this raises the expectations of a new beginning to a discourse, of presenting another way of thinking about a shared set of issues. The process of arriving at the focus of the keynote has been collaborative ...
  • Guidance to manage inappropriate polypharmacy in older people: systematic review and future developments. 

    Stewart, Derek C.; Mair, Alpana; Wilson, Martin; Kardas, Przemyslaw; Lewek, Pawel; Alonso, Albert; McIntosh, Jennifer; MacLure, Katie; SIMPATHY Consortium (Taylor and Francis https://doi.org/10.1080/14740338.2017.1265503, 2016-12-04)
    STEWART, D., MAIR, A., WILSON, M., KARDAS, P., LEWEK, P., ALONSO, A., MCINTOSH, J., MACLURE, K. and SIMPATHY Consortium. 2017. Guidance to manage inappropriate polypharmacy in older people: systematic review and future developments. Expert opinion on drug safety [online], 16(2), pages 203-213. Available from: https://doi.org/10.1080/14740338.2017.1265503
    Introduction: Single disease state led evidence-based guidelines do not provide sufficient coverage of issues of multimorbidities, with the cumulative impact of recommendations often resulting in overwhelming medicines ...
  • "Context is half the work": developing doctoral research through arts practice in culture. 

    Douglas, Anne (Routledge https://www.routledge.com/The-Everyday-Practice-of-Public-Art-Art-Space-and-Social-Inclusion/Cartiere-Zebracki/p/book/9781138829213, 2015-11-19)
    DOUGLAS, A. 2016. "Context is half the work": developing doctoral research through arts practice in culture. In Cartiere, C. and Zebracki, M. (eds.) The everyday practice of public art: art, space and social inclusion. Abingdon: Routledge, chapter 8.
    In 2001-4, a small research team of post doctoral and doctoral artist researchers, working with five cultural partners drew together two apparently incommensurable issues: remote rural culture and contemporary art. The ...
  • Leading cultures of transition through arts practice. 

    Douglas, Anne (University of Valencia, 2016-11-30)
    DOUGLAS, A. 2016. Leading cultures of transition through arts practice. Keynote presented at the Art and ecology seminar, 28-30 November 2016, Valencia, Spain.
    In this third keynote I want to rise a little to the surface while rising to the challenge that both speakers have offered the arts. All three presentations share in common the importance of the stories we tell ourselves. ...
  • Venturing out on the thread of a tune: the artist as improvisor in public life. 

    Douglas, Anne
    DOUGLAS, A. [2016] Venturing out on the thread of a tune: the artist as improvisor in public life. In Oliver, J. (ed) Creative practice and the art of association, trajectories of practice as research. Melbourne: University of Melbourne Press, forthcoming.
    In discussing the work of Wassily Kandinsky of some hundred years ago, Will Grohmann, an art historian, focuses on Kandinsky's effort to develop a new grammar for the visual arts. Kandinsky, Grohmann argues, undertakes a ...
  • What is it possible to know? 

    Douglas, Anne (NAFAE http://www.nafae.org.uk/events/research-practice-practice-research, 2016-07-15)
    DOUGLAS, A. 2016. What is it possible to know? Presented at the Research practice practice research symposium; fine art research network, 15 July 2016, Lancaster, UK. Lancaster: NAFAE [online]. Available from: http://www.nafae.org.uk/sites/default/files/papers/research_practice_keynote_anne_douglas.pdf
    In his 1978 movie Manhattan, Woody Allen’s character, lying on a coach in his apartment after a break up of a relationship, records his thoughts on life: “An idea for a short story about people in Manhattan who are ...
  • Research papers: leading through practice. 

    Douglas, Anne; Fremantle, Chris (a-n https://www.a-n.co.uk/tag/leading-through-practice, 2007-03-01)
    DOUGLAS, A. and FREMANTLE, C. (eds.) 2007. Research papers: leading through practice. Newcastle-upon-Tyne: a-n [online]. Available from: https://www.a-n.co.uk/tag/leading-through-practice.
    Artist as Leader is a programme that aims to understand the ways artists lead through their practice with a view to informing and developing a critical understanding of the role of creativity in culture. There are two ...
  • Your thought will find the contours. 

    Douglas, Anne; Ravetz, Amanda (IKKM, 2014-07-02)
    DOUGLAS, A. and RAVETZ, A. 2014. Your thought will find the contours. Presented at the sewing lines, growing surfaces, breathing atmospheres: towards an ontogeny of things workshop, 2-3 July 2014, Weimar, Germany.
    Our aim in this presentation is to report on research we have been doing around drawing and filming. As associates of Knowing from Inside, we are interested in discovering in what sense drawing and filming can be considered ...
  • The graphic line-'an event in its own material'. 

    Douglas, Anne; Ravetz, Amanda (University of Southern Denmark, 2014-11-19)
    DOUGLAS, A. and RAVETZ, A. 2014. The graphic line-'an event in its own material'. Presented at the making traces symposium, 19-22 November 2014, Odense, Denmark.
    Amanda Ravetz is a film maker and anthropologist. Anne Douglas is a visual artist with a background in sculpture. For the past couple of years, they have been collaborating together as associates in Tim Ingold's research ...