Now showing items 1-5 of 5
Re:presenting making: the integration of new technology into ceramic designer-maker practice.
(Robert Gordon University, 1998)
See Coversheet for system requirements. The aim of the research is to integrate computer technologies and environmentally - sensitive materials and processes into the practice of the ceramic designer-maker, in order to ...
The role of artists in the public realm: an investigation into artists' generative processes in context.
(The Robert Gordon University, 1999-06)
A shift in practice towards a process-orientated and collaborative art practice within the strands of art practice in the public realm raises the question, ’what is the practical contribution artists make to society?’ ...
Environmentally sensitive printmaking: a framework for safe practice.
(Robert Gordon University, 1997-08)
This research is concerned with establishing a rationale which will link safe printmaking practices with artists' individual and sustainable creative practices, by investigating the preconception that printmaking practices ...
The monitoring and control of specialist ceramic kiln atmospheres and emissions.
(Robert Gordon University, 1993-05)
The ceramic glazing techniques of vapour glazing, reduction lustre, Raku and fuming all require specialised firing conditions with the use of potentially hazardous kiln atmospheres and specialist kiln designs for their ...
An exploration of the principle of chance as a stimulus to the creative activity known as sculpture.
(Robert Gordon University, 1992-05-01)
This research is concerned with the utilization of chance as a stimulus to encourage experiment and discovery in sculpture. The aims of this research project were: to examine the role of chance within the creative process ...