Now showing items 1-5 of 5
An exploration of hybrid art and design practice using computer-based design and fabrication tools.
(The Robert Gordon University, 2008-02)
The researcher’s previous experience suggested the use of computer-based design and fabrication tools might enable new models of practice that yield a greater integration between the 3D art and design disciplines. A ...
The role of artists in the public realm: an investigation into artists' generative processes in context.
(The Robert Gordon University, 1999-06)
A shift in practice towards a process-orientated and collaborative art practice within the strands of art practice in the public realm raises the question, ’what is the practical contribution artists make to society?’ ...
Art as a narrative of alterity. Part 1: Prolegomenon, appendices, and bibliography. Part 2: Books.
(The Robert Gordon University, 2006-11)
There is a close relationship between art and philosophy. From time to time, philosophy attempts to make art its theme. Invariably it has to acknowledge the very qualities of art that it seeks to explain - art’s elusiveness ...
An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation.
(Robert Gordon University, 2014-02)
This research was initiated by questions raised from the researcher’s professional activities in fine art printmaking and examines, through contextualised artistic practice and critical enquiry, redefinitions in the physical ...
'Close' as a construct to critically investigate the relationship between the visual artist and the everyday.
(Robert Gordon University, 2006-06-01)
This research proposes and develops a critical framework - a 'matrix' to make sense of the artistic process from the practitioner's perspective. It draws from the research of de Certeau into everyday culture and the art ...